With Bach as the giant on whose shoulders all subsequent composers stand, we're bringing two of his most majestic pieces to life - Singet! and Komm - to life alongside some of the very best compositions since. Challenging pieces all, we're balancing some haunting and reverential pieces with some lighter ones too.

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Harris may not be the most famous composer, but he was a student of Wood, and in turn teacher of composition to Howells and Britten. His most famous piece c 1925, Faire is the Heaven, allows us to show off the double choir techniques, and continue the theme of 'standing on the shoulders of giants'.

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Tavener's elegiac Song for Athene was popularised at Diana's death, but it remains an anthem for all who die on the roads. Contrasting timeless orthodox chant with the frenetic pain and cost of modern travel speaks volumes.

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Talent knows no bounds and Lauridsen in the US has in effect become the exemplar of a school of composition in its own right. His O Magnum is a complex interwoven piece, and when sung alongside Bach's 'Du bist der recht' in Komm shows two peaceful and reassuring treatments of warmth and resolution.

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There is always an element of technical challenge in a '24' concert so we take a break from some of the more liturgically instructive pieces to look at folk influence and in particular Jonathan Willcock's intriguing setting of a favourite.

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Our first run at MacMillan's Miserere resulted in a standing ovation, and the breadth of this piece is a delight to return to as our finale.